There are still a few weeks until this year’s Academy Awards ceremony, but MOVIES! begins getting you into an Oscar frame of mind with a lineup of several films that have each won at least one of those famed statuettes. This special takes a look at the artists behind the Black Panther: Wakanda Forever soundtrack. Voices Rising: The Music of “Wakanda Forever” With his disruptive methods, this eccentric teacher and The Low Tones will embark on a music journey that will help heal wounds and inspire each one of them to express their unique talents. Molina, on the other hand, is put in charge of The Low Tones, a group of students whose talents do not meet the school’s standards. Every year Principal Eduardo Kramer (Julián Arango) chooses five students, nicknamed The High Tones, to be part of the school’s prestigious Teen Band. Now, with tons of new data and spectacular images flooding in from the telescope, this installment follows scientists as they peer deeply back in time to answer some of astronomy’s biggest questions, like how the first stars and galaxies formed, and whether we can see fingerprints of life in the atmospheres of distant exoplanets.Ĭolombian singer Carlos Vives leads this series as Amaranto Molina, an unconventional music teacher who starts teaching at a music school that only encourages students who do well by commercial success standards. Last summer’s NOVA episode “Ultimate Space Telescope” told the dramatic story of how NASA engineers built and launched the James Webb Space Telescope, the most complex machine ever launched into space. WGBH/PBS ALSO SEE: 2023 NASCAR Racing TV Schedules on FOX Sports & NBC SportsĪll Times Eastern. Click to share on Twitter (Opens in new window).Click to share on Reddit (Opens in new window).Click to share on Pinterest (Opens in new window).Click to share on Facebook (Opens in new window).Click to email a link to a friend (Opens in new window).And while the episode serves to be more of a fright fest than normal installments, it never loses sight on what made Jack so beloved in the first place: he’s a badass ninja who will help anyone in need, and regardless of how wild the situation may be, he’ll always find a way to beat his opponent. All these aspects are put on display during the classic dinner scene, with its abrupt shifts in colors and score-looping making for a terrifying moment that feels like it was ripped out of some 70s grindhouse thriller. These are staples from Tartakovsky that make him the well-regarded auteur that he is today, and tropes that have only been expanded upon with his modern work like Primal (one can make an argument for the episode “Plague of Madness” serving as a fitting companion piece to this one). The flashbacks even have their own audio reduced, with the muffled screams from the demon and family giving off this ethereal feeling that simply wouldn't sound as disturbing if it was unfiltered. The episode’s approach in downplaying the technical aspects to elevate tension is also extended towards its score and sound design, as there are many moments where the silence in the house results in a spookier experience for both the characters and the people watching them. It’s evocative of ancient Japanese paintings that only used black ink and negative space to tell a story (something that the show would later return to in the masterful “Jack vs the Ninja”), and played an effective role in creeping children out with the idea that Jack is probably in too deep on this one. The flashbacks and the design of the horse demon are drawn with a minimalist approach, as the animators used thick black smears and a choppy frame rate to convey the idea that these are visuals from another plane of existence from the normal world of the show. Despite the eerie nature of the episode, “Jack and the Haunted House” is a really beautiful installment to look at, as it features one of the show’s rare instances where it changes the drawing style of the series.
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